The Return: Midnight Chapter 13

Elena, sleeping serenely with one hand locked onto Stefan's, knew she was having an extraordinary dream. No, not a dream – an out-of-body experience. But it wasn't like her previous out-of-body visits to Stefan in his cel . She was skimming through the air so quickly that she couldn't real y make out what was below her. She looked around and suddenly, to her astonishment, another figure appeared beside her. â€Å"Bonnie!†she said – or rather tried to say. But of course there was no sound. Bonnie looked like a transparent edition of herself. As if someone had created her out of blown glass, and then put in just the faintest tint of color in her hair and eyes. Elena tried telepathy. Bonnie? Elena! Oh, I miss you and Meredith so much! I'm stuck here in a hole – A hole? Elena could hear the panic in her own telepathy. It made Bonnie wince. Not a real hole. A dive. An inn, I guess, but I'm locked in and they only feed me twice a day and take me to the toilet once – My God! How did you get there? Well†¦ Bonnie hesitated. I guess it was my own fault. It doesn't matter! How long have you been there, exactly? Um, this is my second day. I think. There was a pause. Then Elena said, Well, a couple of days in a bad place can seem like forever. Bonnie tried to make her case clearer. It's just that I'm so bored and lonely. I miss you and Meredith so much! she repeated. I was thinking of you and Meredith, too, Elena said. But Meredith's there with you, isn't she? Oh my God, she didn't fall, too? Bonnie blurted. No, no! She didn't fall. Elena couldn't decide whether to tel Bonnie about Meredith or not. Maybe not just yet, she thought. She couldn't see what she was rushing toward, although she could feel that they were slowing down. Can you see anything? Hey, yeah, below us! There's a car! Should we go down? Of course. Can we hold hands? They found that they couldn't, but that just trying to kept them closer together. In another moment they were sinking through the roof of a smal car. Hey! It's Alaric! Bonnie said. Alaric Saltzman was Meredith's engaged-to-be-engaged boyfriend. He was about twenty-three now, and his sandy-blond hair and hazel eyes hadn't changed since Elena had seen him almost ten months ago. He was a parapsychologist at Duke, going for his doctorate. We've been trying to get hold of him for ages, Bonnie said. I know. Maybe this is the way we're supposed to contact him. W here is he supposed to be again? Some weird place in Japan. I forget what it's called, but look at the map on the passenger seat. She and Bonnie intermingled as they did, their ghostly forms passing right through each other. Unmei no Shima: The Island of Doom, was written at the top of an outline of an island. The map beside him had a large red X on it with the caption: The Field of Punished Virgins. The what? Bonnie asked indignantly. What's that mean? I don't know. But look, this fog is real fog. And it's raining. And this road is terrible. Bonnie dove outside. Ooh, so weird. The rain's going right through me. And I don't think this is a road. Elena said, Come back in and look at this. There aren't any other cities on the island, just a name. Dr. Celia Connor, forensic pathologist. What's a forensic pathologist? I think, Elena said, that they investigate murders and things. And they dig up dead people to find out why they died. Bonnie shuddered. I don't think I like this very much. Neither do I. But look outside. This was a village once, I think. There was almost nothing left of the vil age. Just a few ruins of wooden buildings that were obviously rotting, and some tumbledown, blackened stone structures. There was one large building with an enormous bright yel ow tarp over it. When the car reached this building, Alaric skidded to a stop, grabbed the map and a smal suitcase, and dashed through the rain and mud to get under cover. Elena and Bonnie fol owed. He was met near the entrance by a very young black woman, whose hair was cut short and sleek around her elfin face. She was smal , not even Elena's height. She had eyes dancing with excitement and white, even teeth that made for a Hol ywood smile. â€Å"Dr. Connor?†Alaric said, looking awed. Meredith isn't going to like this, Bonnie said. â€Å"Just Celia, please,†the woman said, taking his hand. â€Å"Alaric Saltzman, I presume.† â€Å"Just Alaric, please – Celia.† Meredith real y isn't going to like this, Elena said. â€Å"So you're the spook investigator,†Celia was saying below them. â€Å"Well, we need you. This place has spooks – or did once. I don't know if they're stil here or not.† â€Å"Sounds interesting.† â€Å"More like sad and morbid. Sad and weird and morbid. I've excavated al sorts of ruins, especial y those where there's a chance of genocide. And I'l tel you: This island is unlike any place I have ever seen,†Celia said. Alaric was already pul ing things from his case, a thick stack of papers, a smal camcorder, a notebook. He turned on the camcorder, and looked through the viewfinder, then propped it up with some of the papers. When he apparently had Celia in focus, he grabbed the notebook too. Celia looked amused. â€Å"How many ways do you need to take down information?† Alaric tapped the side of his head and shook it sadly. â€Å"As many as possible. Neurons are beginning to go.†He looked around. â€Å"You're not the only one here, are you?† â€Å"Except for the janitor and the guy who ferries me back to Hokkaido, yes. It started out as a normal expedition – there were fourteen of us. But one by one, the others have died or left. I can't even re-bury the specimens – the girls – we've excavated.† â€Å"And the people who left or died from your expedition – â€Å" â€Å"Well, at first people died. Then that and the other spooky stuff made the rest leave. They were frightened for their lives.† Alaric frowned. â€Å"Who died first?† â€Å"Out of our expedition? Ronald Argyl . Pottery specialist. He was examining two jars that were found – Well, I'l skip that story until later. He fel off a ladder and broke his neck.† Alaric's eyebrows went up. â€Å"That was spooky?† â€Å"From a guy like him, who's been in the business for almost twenty years – yes.† â€Å"Twenty years? Maybe a heart attack? And then off the ladder – boom.†Alaric made a downward gesture. â€Å"Maybe that's the way it was. You may be able to explain al our little mysteries for us.†The chic woman with the short hair dimpled like a tomboy. She was dressed like one too, Elena realized: Levi's and a blue and white shirt with the sleeves rol ed up over a white camisole. Alaric gave a little start, as if he'd realized he was guilty of staring. Bonnie and Elena looked at each other over his head. â€Å"But what happened to al the people who lived on the island in the first place? The ones who built the houses?† â€Å"Well, there never were that many of them in the first place. I'm guessing the place may even have been named the Island of Doom before this disaster my team was investigating. But as far as I could find out it was a sort of war – a civil war. Between the children and the adults.† This time when Bonnie and Elena looked at each other, their eyes were both wide. Just like home – Bonnie began, but Elena said, Sh. Listen. â€Å"A civil war between kids and their parents?†Alaric repeated slowly. â€Å"Now that is spooky.† â€Å"Well, it's a process of elimination. You see, I like graves, constructed or just holes in the ground. And here, the inhabitants don't appear to have been invaded. They didn't die of famine or drought – there was stil plenty of grain in the granary. There were no signs of il ness. I've come to believe that they all killed one another – parents kil ing children; children kil ing parents.† â€Å"But how can you tel ?† â€Å"You see this square-ish area on the periphery of the vil age?†Celia pointed to an area on a larger map than Alaric's. â€Å"That's what we cal The Field of Punished Virgins. It's the only place that has careful y constructed actual graves, so it was made early in what became a war. Later, there was no time for coffins – or no one who cared. So far we've excavated twenty-two female children – the eldest in her late teens.† â€Å"Twenty-two girls? Al girls?† â€Å"Al girls in this area. Boys came later, when coffins were no longer being made. They're not as well preserved, because the houses al burned or fel in, and they were exposed to weathering. The girls were careful y, sometimes elaborately, buried; but the markings on their bodies indicate that they were subjected to harsh physical punishment at some time close to their deaths. And then – they had stakes driven through their hearts.† Bonnie's fingers flew to her eyes, as if to ward off a terrible vision. Elena watched Alaric and Celia grimly. Alaric gulped. â€Å"They were staked?†he asked uneasily. â€Å"Yes. Now I know what you'l be thinking. But Japan doesn't have any tradition of vampires. Kitsune – foxes – are probably the closest analog.† Now Elena and Bonnie were hovering right over the map. â€Å"And do kitsunes drink blood?† â€Å"Just kitsune. The Japanese language has an interesting way of expressing plurals. But to answer your question: no. They are legendary tricksters, and one example of what they do is possess girls and women, and lead men to destruction – into bogs, and so on. But here – Well, you can almost read it like a book.† â€Å"You make it sound like one. But not one I'd pick up for pleasure,†Alaric said, and they both smiled bleakly. â€Å"So, to go on with the book, it seems that this disease spread eventual y to al the children in the town. There were deadly fights. The parents somehow couldn't even get to the fishing boats in which they might have escaped the island.† Elena – I know. At least Fell's Church isn't on an island. â€Å"And then there's what we found at the town shrine. I can show you that – it's what Ronald Argyl died for.† They both got up and went farther into the building until Celia stopped beside two large urns on pedestals with a hideous thing in between them. It looked like a dress, weathered until it was almost pure white, but sticking through holes in the clothing were bones. Most horribly, one bleached and fleshless bone hung down from the top of one of the urns. â€Å"This is what Ronald was working on in the field before al this rain came,†Celia explained. â€Å"It was probably the last death of the original inhabitants and it was suicide.† â€Å"How can you possibly know that?† â€Å"Let's see if I can get this right from Ronald's notes. The priestess here doesn't have any other damage than that which caused her death. The shrine was a stone building – once. When we got here we found only a floor, with al the stone steps tumbled apart every which way. Hence Ronald's use of the ladder. It gets quite technical, but Ronald Argyl was a great forensic pathologist and I trust his reading of the story.† â€Å"Which is?†Alaric was taking in the jars and the bones with his camcorder. â€Å"Someone – we don't know who – smashed a hole in each of the jars. This is before the chaos started. The town records make note of it as an act of vandalism, a prank done by a child. But long after that the hole was sealed and the jars made almost airtight again, except where the priestess had her hands plunged in the top up to the wrist.† With infinite care, Celia lifted the top off the jar that did not have a bone hanging from it – to reveal another pair of longish bones, slightly less bleached, and with strips of what must have been clothing on it. Tiny finger bones lay inside the jar. â€Å"What Ronald thought was that this poor woman died as she performed a last desperate act. Clever, too, if you see it from their perspective. She cut her wrists – you can see how the tendon is shriveled in the better-preserved arm – and then she let the entire contents of her bloodstream flow into the urns. We do know that the urns show a heavy precipitation of blood on the bottom. She was trying to lure something in – or perhaps something back in. And she died trying, and the clay that she had probably hoped to use in her last conscious moments held her bones to the jars.† â€Å"Whew!†Alaric ran a hand over his forehead, but shivered at the same time. Take pictures! Elena was mental y commanding him, using al her wil power to transmit the order. She could see that Bonnie was doing the same, eyes shut, fists clenched. As if in obedience to their commands, Alaric was taking pictures as fast as he could. Final y, he was done. But Elena knew that without some outside impetus there was no way that he was going to get those pictures to Fel ‘s Church until he himself came to town – and even Meredith didn't know when that would be. So what do we do? Bonnie asked Elena, looking anguished. Well†¦my tears were real when Stefan was in prison. You want us to cry on him? No, Elena said, not quite patiently. But we look like ghosts – let's act like them. Try blowing on the back of his neck. Bonnie did, and they both watched Alaric shiver, look around him, draw his windbreaker closer. â€Å"And what about the other deaths in your own expedition?†he asked, huddling, looking around apparently aimlessly. Celia began speaking but neither Elena nor Bonnie was listening. Bonnie kept blowing on Alaric from different directions, herding him to the single window in the building that wasn't shattered. There Elena had written with her finger on the darkened cold glass. Once she knew that Alaric was looking that way she blew her breath across the sentence: send all pix of jars 2 meredith now! Every time Alaric approached the window she breathed on it to refresh the words. And at last he saw it. He jumped backward nearly two feet. Then he slowly crept back to the window. Elena refreshed the writing for him. This time, instead of jumping, he simply ran a hand over his eyes and then slowly peeked out again. â€Å"Hey, Mr. Spook-chaser,†said Celia. â€Å"Are you al right?† â€Å"I don't know,†Alaric admitted. He passed his hand over his eyes again, but Celia was coming and Elena didn't breathe on the window. â€Å"I thought I saw a – a message to send copies of the pictures of these jars to Meredith.† Celia raised an eyebrow. â€Å"Who is Meredith?† â€Å"Oh. She – she's one of my former students. I suppose this would interest her.†He looked down at the camcorder. â€Å"Bones and urns?† â€Å"Well, you were interested in them quite young, if your reputation is correct.† â€Å"Oh, yes. I loved to watch a dead bird decay, or find bones and try to figure out what animal they were from,†Celia said, dimpling again. â€Å"From the age of six. But I wasn't like most girls.† â€Å"Well – neither is Meredith,†Alaric said. Elena and Bonnie were eyeing each other seriously now. Alaric had implied that Meredith was special, but he hadn't said it, and he hadn't mentioned their engagement to be engaged. Celia came closer. â€Å"Are you going to send her the pictures?† Alaric laughed. â€Å"Well, al this atmosphere and everything – I don't know. It might just have been my imagination.† Celia turned away just as she reached him and Elena blew once more across the message. Alaric threw his hands up in a gesture of surrender. â€Å"I don't suppose the Island of Doom has satel ite coverage,†he said helplessly. â€Å"Nope,†Celia said. â€Å"But the ferry wil be back in a day, and you can send pictures then – if you're real y going to do it.† â€Å"I think I'd better do it,†Alaric said. Elena and Bonnie were both glaring at him, one from each side. But that was when Elena's eyelids started to droop. Oh, Bonnie, I'm sorry. I wanted to talk to you after this, and make sure you're okay. But I'm falling†¦I can't†¦ She managed to pry her lids open. Bonnie was in a fetal position, fast asleep. Be careful, Elena whispered, not even sure who she was whispering it to. And as she floated away, she was aware of Celia and the way Alaric was talking to this beautiful, accomplished woman only a year or so older than he was. She felt a distinct fear for Meredith, on top of everything else.

All That Glitters Is Not Gold – Paper

ALL THAT GLITTERS IS NOT GOLD Outward appearance can be greatly misleading. Gold  is a very valuable metal. It has an attractive glittering appearance too. But it does not mean that everything which  glitters  like  gold  should be precious. There are utterly valueless things that look like  gold  and taking them on their face value is unwise. On the contrary, some of the dull looking things possess immense value. Their appearance is in no way proportionate to the great value they have. This is true of human beings also.A person may be good looking having an attractive character. But he may not possess any real ability or talent. He can even turn out to be unscrupulous too. A man must be judged on the basis of his abilities and not on his  external appearance. Many of the truly good and great men are humble. Goodness and perfection do not go with gaudiness. Like shining glass pieces which dazzle and glitter like  diamonds  the appearance of men can be greatly misl eading. Therefore estimation and analysis of people on the basis of mere appearance is an unwise approach.Never go by the appearance of anything, be it a person or a thing. Simply wanting for it just by the looks of it can lead to great disaster. Most of the time, what we see is not the reality; the outside appearance generally hides all the truth and reality. Though we might say face is the index of the heart, there are so many methods to hide the face reactions. But that can be found out on constant and vigilant observation alone. The credit worthiness of so many things is definitely questionable. When it comes to a materialistic thing, its worth can be judged only on using it.In the same way, we can find the true color of a person only by moving with them, though not closely at least getting acquainted with them. Now a days, we can see so many imitation jewelry that shine even more than gold. Any individual can be judged by his deeds and attitude. Many a times, aptitude or fearle ssness can be found out to be a fake one. Advertisements are the best way to market any product, but most of the times; they just don't show the reality. But not all of them are like that, but one has to be very careful with such type of advertisements.The actions of people in today's world are self centered and they just look at the benefits they get out of it. It is better to be careful to start a friendship with those who try to project themselves as your well wishers or friends. It is better to ascertain their motives and actions and a constant vigil need to be kept on them. One have to understand that all those metals that are shiny and yellow in color need not be gold, they might be painted yellow or just any other yellow metal. So one has been aware of the appearance and judges everything.So it is better to keep in mind â€Å"All that glitters is not gold†. Life is something really strange. In life we come across several things and persons that are entirely different f rom what they look like. Outward shows are generally misleading. Same is the case with certain†¦ ALL THAT GLITTERS IS NOT GOLD Appearances are often deceptive. Many things may superficially appear very attractive. When they are examined from close quarters, they prove to be disappointing. One cannot judge the quality of a thing by seeing its exterior portion only. Every shinning metal is not gold.Very often, things are not what they seem to be. We often form our opinion bout objects on the basic of superficial impression. One should always try to find out the true nature of things. We should try to find out the reality hidden behind their glittering facade. A book with a beautiful cover has no guarantee of its being interesting. A beautiful packaged product launched in the market after massive advertising campaign may attract the consumer. He may but that product once but if the product is of poor quality, he would not buy it again. A wise discerning person does not accept thin gs at face value.He gets suspicious of a person or thing which appears too good to be true. His trained eyes can see beyond the superficial appearance of an object. The quality of anything can be judge only if we come to know the reality of a thing. Gold is gold if the inner metal is also gold. Many things are made of inferior metal and to hide their defect, they are given a shine. They look beautiful and attract many a person who loves beautiful objects. An object with a glittering shin of gold cannot b gold unless the whole object itself is gold. All that glitters is not gold.All people wearing saffron clothes cannot be saints. A foolish man can never be wise by pretending to be wise. A person may pretend to be noble, hiding his defects. One cannot judge a person from his smiling face or cheerful appearance. The wearing of a gown cannot make an idiot a lawyer. One often tempted towards external beauty. Sometimes, even the wise fall prey to such temptations. The most innocent masks may hide behind them the most cunning of cheats. Simplicity can be deceptive too. One may pretend to be simple though one may not†¦ [continues]

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Critical evaluation of the business strategy adopted by Ryanair - Essay Example During the last few years the low cost airline industry has notices a variety of landmark deals including those high profile acquisitions and mergers. The Ryanair airline has increasingly been becoming disconcerted about the growing threat from number of low cost no-frills airlines including Easy Jet, BMIbaby, Aer Lingus, DFDS Seaways. Against this backdrop of ever increasing competition, it’s imperative for Ryanair to initiate some far reaching changes in its HRM sphere (Simon, 2002). Cutting into existing niche market segments in the European Union has become too fashionable today because many of those airlines that venture into new market segments do so without paying much attention to the consequences of the unfolding scenario of competition. While Ryanair is not alone in the budget airline market segment in Europe, there are formidable constraints faced by its rivals in the evolving strategic regulatory and competitive environments. For instance Ryanair’s own formidable marketing machine has not been able to overcome some of the very difficult issues such as the market/customer orientation strategy of rivals. Above all the competitor orientation strategy of rivals has forced Ryanair to bring down prices below a certain minimum. The current market-centric performance of the Ryanair is determined by their internal and external environments. Thus Ryanair being an Irish low cost airline just focused on serving a niche market segment in Europe could have done still better to manage its HR function in the light of its strategically advantageous position. HRM involves such tasks as recruitment, training & development (T&D) of skills, employee relations, retention and motivation strategies, workplace culture and delegation of power, authority and responsibility. Effective HRM practices must be aligned with organizational outcomes such as internal value chain

Change of Focus For Your Financial Organisation From Transactional to Essay

Change of Focus For Your Financial Organisation From Transactional to Relationship Marketing - Essay Example II. Background â€Å"Today’s financial services customers is a ‘Butterfly Customer’, sceptical, and not loyal to any product or company, and yours only until the next good thing comes along† (O’Dell & Pajunen, 2008, p.24). Because of this, HSBC requires a sound methodology for conducting market research to ensure more customer volume increases. HSBC Australia conducts routine customer-related surveys to gain quantitative information about the brand in the eyes of customers, willingness to recommend HSBC over other target competition, and a variety of customer service feedback systems. Refer to Appendix A for a chart of survey results associated with intent to recommend HSBC from the company’s 2010 annual report which highlights the very low level of word-of-mouth HSBC can rely on based on this quantitative information. Financial services at HSBC include personalized planning from HSBC financial planners in areas of superannuation, retirement p lanning, wealth creation, borrowing for investment purposes, and personal insurance policies (hsbc.com.au, 2011). Since it has been determined that HSBC is not meeting its Board-mandated sales results in gaining customer loyalty for using HSBC for its financial planning, the business must revamp its current marketing strategies and change its current format of reliance on market research tools. Tightening of monetary policies from the government has a very hard impact on interest rates during a recession. This makes investment less attractive to customers and they instead seek bank loans (Bolton & Freixas, 2006). It has been established that HSBC outperforms most of its Australian competition in banking, and it is necessary to try to restore confidence in target consumers to ensure that existing banking customers and new customers choose HSBC for its financial planning and investment services offerings. III. Discussion It is being proposed that HSBC conduct a new type of market rese arch program that includes qualitative data in the form of questionnaires rather than the traditional survey format. Qualitative research provides key insights into emotional capacity of consumers, their confidence in banking and investment, and also serves to uncover the psychological dimensions of what is driving such a high resistance to financial planning services. Why is this a preferred research format over the survey currently being utilized? Financial investment services represent risk to the consumers. Financial decision making is driven by the willingness to accept risk along with intuitive factors, such as trust in a brand, as well as data and options analyses (fsa.gov.uk, 2005, p.9). Intuitive factor is the key phrase in this proposal, since most of this is based on sociological or psychological factors which determine how a consumer structures and plans their investment strategies. Identifying which financial services planners best fit the buyer needs is a very elongate d search process that include pricing, perceptions of reliability, service quality, and many other factors (Laffey & Gandy, 2009). The longer a search process takes, the less chance a brand has of gaining consumer interest immediately in areas of promotion. The data gleaned from qualitative research

Policy Change Proposal Section II Assignment Example | Topics and Well Written Essays - 750 words

Policy Change Proposal Section II - Assignment Example on would necessitate all health care organizations to have well established internal governing body that directly consult periodically with individuals concerned with organization of hospital medical staff. A requirement for a medical practitioner to be part of hospital’s governing body should be removed to avoid conflict of interests as it may hamper quality service delivery (Tavenner & Sebelius, 2013). There is no provision for establishment of Medicare inpatient rehabilitation facility and an effective long-term acute care quality reporting by either health practitioners or health care organizations. We propose that a secretary in the Ministry of Health and Medical Services would be required to establish an effective quality programs that would facilitate establishment of inpatient rehabilitation and group of providers that would cater for the need of individuals who require long term care in the hospital. Under this policy, all health care providers would be required to identify measures for this provision by 2013 and implement the identified quality measure reporting programs by 2014. These measures would lead to realization of efficient care and all dimensions of quality that are feasible and practicable (Tavenner & Sebelius, 2013). Some regulations passed by Center of Medical Services (CMS) subject hospices to financial and ethical problems. For instance, the current law requires hospices to be well equipped to resuscitate all patients that do not have a signed do-not-resuscitate order. The proposed policy change would ensure that hospice patient would access improved care and financial viability. The eligibility requirements would be re-evaluated to ensure that the policy is no longer a barrier to access. This would ensure that hospice patients access proper health care as they expect (Petersen, 2002). A number of policies and rules in the proposed policy change are aimed at helping hospitals and health care providers to better coordinate care

Ethical Issues of Deception in Psychological Research Essay Example for Free

Ethical Issues of Deception in Psychological Research Essay In psychological studies, ethical issues associated with deception have always the major concern area. It is largely been viewed as something which in long will cause effect on participants’ willingness to be a part of any psychological research. The controversy associated with this issue has itself led to many researches to ascertain the positivity and negativity associated with the use of deception in psychological research. The findings of those researches have been contradictory. Some researcher has indicated that use of deception has a very negative impact on participant’s perception of researchers and hence reduces the possibility of its further participation in the ongoing project as well as any other research in future (Tuffin, 2005) While on the other hand there are evidences that deception has positive effect and participants have reported that they actually enjoyed being deceived and showed positive participation in the researches in which they are being deceived and feel more benefited than those without deception. Hence it becomes more evident that deception has basically no effect on participants and neither reduces nor increases their willingness in taking part in any future researches irrespective of those requiring deception or not (Lefkowitz, 2003). The above mentioned two contradictory preferences related to deception actually gives a picture which shows that the people have no clear meaning of deception and it varies from person to person i.e., they have different interceptions of what it actually means. This reinforces the need for further research and hence underscores the requirement for an expanded investigation to figure out the possible effects of deception in a prospective participant and the psychological study. The beginning of this new research could be initiated through a controlled environment when some of the participants and informed about the use of deception while some are not informed. The final objective is to ascertain the actual impact of deception when both researchers as well the participants have better understanding of deception (O’Donohue, 2003). References: O’Donohue, W. (2003) Handbook of Professional Ethics for Psychology. Sage Publication Ltd.,   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   London. UK Lefkowitz, J (2003) Ethics and values in industrial-organizational Psychology. Lawrence  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Erlbaum Associates, Inc., Mahwas, NJ Tuffin, K (2005) Understanding Critical Social Psychology. Sage Publication Ltd., London. UK

Photographer Comparison Essay: Cindy Sherman and Omar Diop

Photographer Comparison Essay: Cindy Sherman and Omar Diop Introduction The following study will analyse and compare the contemporary photographers- widely known for their conceptual portraits- American Cindy Sherman (b. 1954) and Senegalese Omar Victor Diop (b. 1980). The works selected are Albert Badin by Diop and Untitled (Self-Portrait with Sundress), both of which feature a persona explored through self-portraiture and conceptual portraiture. Thus, the works go in hand with my theme of identity. Cindy Sherman studied visual arts at university, focusing firstly on painting before later working with photography, which is now her most prominent medium. Sherman is one of the most respected photographers of the late twentieth century. The majority of her photographs are self-portraits, each featuring a feminist element which challenge the representation of women in society and media, as well as American popular culture. Hence, her works are a vehicle for commentary on contemporary American society. Omar Victor Diop studied at the Business School of Paris and worked in communications before concentrating solely on photography. His most famous series is Diaspora (2014) featuring staged self-portraits inspired by Spanish portraiture of the 14th and 15th century. It explores the identity of modern Africans and the role of African history, culture and heritage in the formation of such. Thus, his works explore the interconnectedness of collective and personal identity. Note: Diops name is both correctly spelt as Omar Victor Diop and Omar Viktor Diop. In this study, the former will be used. Diop Analysis of formal qualities Diops series Diaspora meaning the dispersion of people from their original homeland-was first exhibited in 2014. The series appropriates Spanish portraiture of prominent African figures who experienced African diaspora in the 14th and 15th century, with Diop as the subject. Diop produced this series while residing in Spain, during which he experienced cultural alienation. In recreating portraits of famous Africans who were alienated in the most extreme sense in Europe- experiencing racism, mocking, and complete abandonment from society- Diop conducts a personal search for both his own identity and the collective identity of Africans in Europe. The work investigated in this comparative study is Albert Badin (medium), a recreation of a historic portrait by Gustaf Lundberg. Badin- originally named Couchi- was born in 1747 or 1750 in either Africa or Saint Croix before being forced into slavery. Badin- meaning trickster was treated as a noble savage and permitted to work as a Swedish court-servant and butler of Queen Luisa Ulrika of Sweden. Badin was also a diarist and a fond member of the Swedish courtly life. As with the other figures in the Diaspora series, Badin- as stated by Diop- did not fulfil the usual expectations of the African diaspora insofar as they were educated, stylish and confident, even if some of them were owned by white people and treated as the exotic other. (via theguardian.com) Thus, through recreating the portrait, Diop investigates his own cultural heritage and gives figures omitted from history a voice once more, as well as celebrates them, as despite existing at a time where it was very unlikely for them to flourish during colonisation and slavery. (via trueafrica.co) they managed to lead a successful life. Diop achieves this through restaging the original portrait, wearing a near-identical costume and recreating the composition and colour scheme of cool shades of blue and white, which create a sense of harmony and balance. However, the portrait is not exactly copied in Diops piece, merely appropriated. It is readily recognisable, however, the works in Diops series all have a modern-day narrative through references to football. In Albert Badin, these are a whistle and a red card which replace the original works chess pieces. Curator Raquel Wilson has stated the use of football equipment demonstrates the duality of living a life of glory and recognition while simultaneously confronting the challenges of being other' (via omarviktor.com). Modern African players achieved recognition in Europe, yet face still racism, similarly to Badin. Diop states that this is the kind of paradox I am investigating in my work. as there is a very interesting blend of glory, hero-worship and exclusion. (via theguardian.com). The use of football equipment in Diops works ties together racism in both the past and present. In terms of formal qualities, the work mimics and appropriates the original portrait. Diop has a near identical angled tilted head, however, the original portrait is titled to the left whereas Diop turns to the right. Diop wears a similar costume and pose, as well as facial expression: both figures have eye-contact with the viewer in a confrontational, yet playful and manner, as if the figure were challenging the viewer to a game of chess or- in Diops work- presenting the viewer with a red card and whistling at him. In football, this means that the player has to leave the field. This could be representative of Diop criticising the viewer and indeed society of omitting Badin from history, punishing them with the red card. Annotations of Diop Modern appearance: through the high quality of photograph, the piece appears sleek and fashionable, which is to be expected, as Diop also works in fashion photography. The work is not edited to mimic the old and worn appearance of the original piece, as Diop wishes to give the piece a clear modern look. Although Diop recreates a portrait from the 18th century, there is a clear modern narrative through the aesthetics of the work and the use of football equipment. This highlights that problems Badin experienced hundreds of years ago- such as racism and alienation- remain contemporary issues today, and should not be forgotten. Comments on racism in past and present through football props: By making all the figures carry objects related to football, like balls, red cards and studs, I linked them to the present in order to situate them within the debate on immigration and the integration of foreigners into European societies. All these eminent but unknown people were the first to obtain recognition for black people for their exceptional talent. Today, its a talent for football that gives you that passport. (Omar Victor Diop via trueafrica.co) Symbolic form: Diop holds the whistle and red card in a staged manner, allowing the viewer to clearly see the objects. The viewers eye is drawn to them, indicating their importance. Head turned to right: Diop does not exactly replicate the original portrait, although the overall composition is near identical. Annotations of original portrait Head turned to left: one of the key differences between Diops work and the original portrait. Chess pieces: Badin hold chess pieces, representing his intellectual as well as playful and entertaining personality. Interpretation of function and purpose Diop himself poses as a forgotten man. The work is a self-portrait, and as a Sengalese himself, Diop thus explores his own identity, as well as his African heritage. Diops work demonstrates the link and interconnectedness between cultural and collective identity and his personal identity, critically through putting himself in the shoes of figures of the African diaspora as Diop takes on the role of Badin and poses as him. Through the use of modern football equipment and the sleek appearance of the photograph, there is a modern narrative prevalent in the piece. As Diop stated, he wanted to bring these rich historical characters into the current conversation about the African diaspora and contemporary issues around immigration, integration and acceptance. (via thegurdian.com) Evaluation of cultural significance As mentioned previously, Diop gives African historical figures omitted from historical discourse a voice who Diop states ought to be celebrated (via trueafrica.co) and forces the figures into a modern narrative once more. Diop himself belongs to the modern generation of young, successful Africans who chose not to abandon their country, despite being presented the chance to: Diops family is in the upper middle-class and Diop studied and worked in Europe for many years. Thus, contemporary issues relating to Senegal and the African continent influence his work greatly. The portrayal of Africa in often a negative one, featuring nothing but poverty and generalising the large and diverse continent to nothing but stereotypes. In depicting successful African figures who were forgotten in historical discourse, Diop reminds the viewer of the complexity of African history and culture, and speaks against and challenges the negative representation of Africans in popular culture. Furthermore, Diop explores what it means to be a part of modern Africa, and investigates how history influences both personal and collective identity. Through confronting the viewer with historical figures- perhaps in a damning way, represented through presenting the viewer with a red-card- Diop forces the viewer to contemplate and reflect on African history, critically as Diop himself exhibited the series in Dakar and later in France, which has a colonial past and a large amount of African immigrants. Therefore, both the artist and the viewer contemplates the balance and interconnectedness of modern-day Africa and the rich and complex African diaspora. Sherman Annotations Caricature of stereotype: In this work, Sherman takes on the role of a middle-class woman, which is indicated by her tacky jewellery and costume, on vacation, shown by her intense sun-tan. Thus, Sherman handles a multitude of stereotypes in the work: Americans, women, and the working-class. Analysis of formal qualities The work analysed is Untitled (Self-Portrait with Sundress), however, while researching, it was found that sources have also titled the piece Untitled (Self-Portrait with Spraytan). In this study, the former will be used according to the auction site artnet.com, which was deemed a reliable source. The piece was created in 2003 and is a chromogenic print on smooth white paper with full margins, and 66 * 40 cm. The work is a part of Shermans early 2000s series of self-portraits, which feature Sherman in different costumes and poses, portraying female stereotypes in American film, television, and advertising. Through the medium of photography, Sherman mimics reality and constructs new identity: a persona. In doing so, Sherman criticises the subject and role she takes on. In the case of Untitled (Self-Portrait with Spray Tan), Sherman critiques American society for its superficiality and consumerism as well as banality. As with most of Shermans work, it is a self-portrait, in which Sherman uses makeup, costume, and props to depict a common American stereotype and visually and socially-defined personality type. Sherman is barely recognisable and easily changeable as she depicts an intensely tanned subject in a sundress. The subject is posed in an unnatural manner, and her features are exaggerated, thus creating a caricature. In terms of visual properties, Sherman Quotes I feel Im anonymous in my work. When I look at the pictures, I never see myself; they arent self-portraits. Sometimes I disappear. via artlyst Interpretation of function and purpose The work forces the viewer to confront and reconsider stereotypes through. Sherman does not define where she stand in relation to he works, and the interpretation is left open to the viewer. Ultimately, the reaction of the public to her work says more about the viewer than the subjects themselves. In another sense, Sherman argues that personal identity is comprised solely of social dictates and personal intention in that she constructs a persona entirely of vison and socially defined personality archetypes. more Protagonist can escape role, identity construct, fluid, persona Sherman does not fix herself in single social position (quote) Evaluation of cultural significance Sherman has played a major role in various art movements, each of which are reflected in the piece. Feminist movement: Emerging in the late 1960s, the movement sought to criticise and change the world through art, with a specific focus on women and their roles in society over a longer period of time, being the nineteenth to twenty-first century. Sherman, as other feminist artists, include the female perspective in their works and question the social landscape of their context. She explores femininity as a social construct and examines female typologies. In Untitled (Self-Portrait with Sundress), Sherman takes on the role of the stereotype of a sun-tanned, middle-class American woman on vacation, with a so-called cheap appearance. Through creating this character, Sherman explores the role of appearance in the formation of identity, particularly female identity. Thus, Sherman reworks archetypes as both a creator- and woman- and character. She re-establishes women and what it means to be a woman in todays world, and freezes herself in the role she takes through the medium of photograp hy. Thus, the works are both deeply personal and feminist. The Pictures Generation: This label often refers to both contemporary artists and specifically visual artists active in the seventies and eighties. Critically, the artists use appropriation and montage, as well as explore the constructed nature of images through the medium of photography. As with Shermans work, members of this movement often seek to trigger social criticism in viewers saturated by mass media. Indeed, the artists themselves were heavily influenced by the saturated image culture of the United States, and thus, the works challenge traditional art forms and mimic the artificiality of media and in particular advertising. Works appear mass-produced and blur between fine art and popular images, as they are composed with conceptual frameworks. Sherman specifically explores the boundaries between original and fabricated reality through an exaggerated appearance with a clearly staged environment and printed the photographs in large-scale and bright colours, yet the works are c learly inspired by reality. This creates a blend of performance and photography itself. Diop Sherman Making comparisons and connections Formal qualities: Whilst both works share the medium of photography and are self-portraits, the subjects portrayed are vastly different. Both Sherman and Diop take on personas which differ greatly: Sherman poses as an American sun-tanned woman, Diop is a historical figure. In terms of visual properties, the photographs Position, composition Both artists appropriate to some extent. Diop directly mimics a historical portrait, whereas Sherman imitates a specific archetype. The subject is easily recognisable, and thus leads the viewer to question the role of appearances in the formation of identity, and how appearances can or cannot be misleading: does the fact that the artists dress up as a figure mean they are the figure? As the works are self-portraits and the subject is the artist themselves, there is undoubtedly a strong personal link to each work for the artist. Furthermore, both works have a strong element of artificiality. The photographs are staged and feature the subject in exaggerated costume and makeup, and are not designed to be an accurate reflection of reality. However, Sherman deliberately creates a caricature of the subject, whereas Diop recreates a historical portrait with added football props, carrying a symbolic meaning. Function and purpose: Critically, Diop explores the paradox of modern and historical identity, as well as the role of history in the formation of contemporary African identity. Through posing himself as Albert Badin and the use of football symbolism, Diops work investigates the link between our culture, the history of our homeland, collective and personal identity of Africans. Contrarily, Shermans work does not have a focus on history, and instead focuses solely on modern American society and how this influences the personal identity of women. Cultural significance: In terms of cultural significance, the two artists share little to no similarities. However, critically, both artists reflect their own cultural context through their works: Sherman mirrors American stereotypes whereas Diop explores the contemporary question many young Africans face today, being balancing cultural history and modern identity. Making connections to own art making practice Formal qualities: Photography, self-portraits, costume and use of props, simple background Function and purpose: Aim of pieces, small size?, artificiality à ¯Ã†â€™Ã‚   Sherman Cultural significance: Cultural element à ¯Ã†â€™Ã‚   Diop Sources: http://www.artnet.com/artists/cindy-sherman/untitled-self-portrait-with-sundress-aHQ26YzCxxzu-QkGJzHEAQ2 http://www.artlyst.com/Cindy.Sherman http://www.rencontres-arles.com/C.aspx?VP3=CMS3VF=ARLAR1_213_VFormFRM=Frame%3AARLAR1_254 http://africanah.org/omar-victor-diop-2/ http://www.omarviktor.com/project-diaspora http://trueafrica.co/article/omar-victor-diop-on-dakars-spectrum-of-possibilities/ https://i-d.vice.com/en_gb/article/omar-victor-diop-is-documenting-a-new-generation-of-african-creatives http://www.theartstory.org/movement-feminist-art.htm http://www.theartstory.org/movement-the-pictures-generation.htm http://www.theartstory.org/movement-conceptual-art.htm http://www.blackpast.org/gah/badin-adolf-1747-1822 http://www.artspace.com/magazine/art_101/art_market/pictures_generation-51922

Curiosity Killed a Friendship Essay -- Personal Narrative Essays

How many people wonder about holes in the ceiling and cracks on the floor? When did they happen? What caused them? Or what about when you see a cigarette in someone’s hand and ask yourself how do they feel about smoking even though they know it’s dangerous. And even if people do think about these things, why? For what purpose? I guess I do it out of boredom. But is boredom really an excuse? I mean, really, how bored can a person get? I don't believe it is boredom after all, probably curiosity, which can build to all sorts of lengths, and I believe it most certainly starts there. How else can you explain why I want to know what happened to a certain somebody when a certain somebody else, punches them in the eye? I am almost positive it isn’t boredom, but curiosity and that is where and how I try to make sense of this story. It begins on a nice hot October morning, with birds singing and flowers in full bloom, ok, not really. I live in Washington for crying out loud. But how awesome would it be if it worked out that way. It really would put something beautiful into this mesh of words. Actually it really didn't have a starting place, but starting people. A group of friends. All the people in this group and all the people that surrounded this group were a part of my life and some still are. I don't really understand why, but at first I really did enjoy hanging out with these people. I guess maybe because they were 'cool', but I mean we never really did anything cool. So basically we sat around pretending to be cool, because we were considered cool. Or maybe it was just the others that were considered cool. I really don't know, but pretending to be cool was just not all that cool to me. I don't understand how people can hang out w... ...re. Sadly, the infection, the disease had taken over me too. I had officially become part of the crew, in fact that one conversation, everything I hated about myself and anything else bestowed upon me had been poured out, through words on my phone. The girl I told this to was very upset and lost a friend. I went from the loved to the hated in a matter of a fifteen-minute conversation. And quite frankly I was so upset that I really didn't care to speak to any of them again. I decided not to do anything mean (wow, I really had become a bad person if I had to decide not to be mean). So maybe my story was pointless and you don't understand why I think curiosity is the cause of all things and why it kills all, but it killed my friendships, it killed my personality, it killed my life. But then she changed, a little, and we became friends again. Or at least I hope... ï Å'

Images and Imagery in Macbeth Essay -- Macbeth essays

Imagery in Macbeth      Ã‚  Ã‚   Darkness, disorder, mayhem, fear, guilt, and hypocrisy are all important themes carried throughout William Shakespeare's "Macbeth" by the effective use of imagery in reference to ill-fitting clothing, blood, and light verses dark. Imagery in this play tiptoes its way though every scene to create a malevolent atmosphere of shame and false pretenses.    The contrast between light and dark during "Macbeth" clearly relates to the conflict between good and evil. Darkness is used throughout the play to create a desolate and disturbed atmosphere filled with disarray. Darkness is always prominent during murders and tragic events. When Macbeth realizes that Malcolm is named heir in act 1, scene 4, by the king, Macbeth becomes enveloped in jealousy and says, "Let not light see my black and deep desires" (I.IV.57-58). He hopes that darkness will hide his deepest desires. When Macbeth and Lady Macbeth discuss the murder of Duncan, Lady Macbeth calls on evil to wrap itself around her in a blanket of darkness so that she would not be suspected in the lines, "Come, thick night, /And pall thee in the dunnest smoke of hell," (I.V.53-54). The morning after Duncan was murdered; Scotland remained in darkness and obscurity. The events that involve immoral acts by characters are continuously done in the presence of darkness. Therefore, one can conclude that evil and death is demonstrated throughout "Macbeth" with the company of darkness. Light, conversely signifies all things good and sane during the play. Within the whole drama, the sun only seems to shine twice: Act 1, scene 6, where Duncan and most other characters are sitting in a serene area in front of the castle, all are in high spiri... ...ich is intriguing to the readers in order to hold their attention and further their perception of the play. As well, blood imagery is successfully used to illustrate the strong character shift experienced by Macbeth from a brave soldier, to a murderer, to a man filled with self-induced guilt. Macbeth was given the title thane of Cawdor, and he was easily corrupted by the power.    Works Cited and Consulted:    Bradley, A.C. Shakespearean Tragedy. Toronto: Penguin Books Canada Ltd., 1991.    Edwards, Terence. Twentieth Century Interpretations of Macbeth. New Jersey: Prentice-Hall Inc., 1977.    Shakespeare, William.   Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 1992.   Ã‚   Scott, Mark W. (Editor).   Shakespeare for Students.   Gale Research Inc. Detroit, Michigan. 1992         

An Argument For Animal Research :: essays research papers

An Argument For Animal Research Medicine has come a very long way since the days when men used to puncture holes into the skull to release tension or evil spirits. In the last one hundred years, for the sake of humanity, numerous vaccinations have been developed, disease and disorders of all types have been prevented, surgical techniques have been advanced, drugs have been developed to cure ailments and the list continues endlessly. The progress that has been achieved in knowledge as well as safety in medical practice is correlated directly to animal research. It is one argument to control animal research so that needless death of animals are not rendered, but it is absolutely different to argue that animals have rights which supersede human subsistence. "For most of the past decade, the animal-rights movement hasn't merely opposed animal research; it has tried to destroy it." (  ¯The Wall Street Journal ®, "Animals and Sickness", Page 378.) Animal rights advocates and activists generally have ethical objections regarding treatment of animals during experimentation, but the use of animals in research for the benefit of all people is and always will be justifiable. Over 99 percent of all animal experiments are on rats and mice developed expressly for laboratory use. "Less than 1 percent of experiments involve cats, dogs, farm animals, nonhuman primates, frogs, fish, and birds." (  ¯Encyclopedia of Medicine, AMA ®, "Animal Experimentation", Page 110.) Animal rights advocates try to sway public opinion by showing grotesque pictures of destroyed cats, dogs, farm animals, dolphins, and monkeys which account for less than 1 percent of the experiments, yet it seems 99 percent of their advertising and campaigning deal with this one percent. At least the American public realizes even those who portray ethical righteousness can be wrong. For instance, " an American Medical Association ( AMA ) poll found that 77 percent of adults think that using animals in medical research is necessary." (  ¯The Wall Street Journal ®, "Animals and Sickness", Page 378.) It is a curious thing to see animal welfare groups try to hinder animal research by threatening researchers lives and destroying years of data collected. Animal rights groups are promoting even more animal testing because the same tests will have to be repeated to replace the lost data. In every major medical research university there have been some form of nuisance to deter animal testing whether it was a quiet riot or endangering the lives of researchers. Animal rights groups must realize research is done out of necessity for human welfare. Whenever possible alternatives to animal experiments are used. "The development of modern research techniques, such as CAT scans, PET scans,

UK software industry

In the business world strategic positioning has become an unavoidable endeavor as businesses look for every means of improving their competitive advantage. In such a business environment, a much reliable reprieve can be found in the adaptation of analysis models by organizations in their marketing campaigns. PEST analysis models have been utilized by organizations all over the world to determine or predict future trends in business as well as to take preemptive measures to avoid running into losses (Charles, Hill, & Jones, 2006p. 9-98),. Below is a PEST analysis of UK’s software industry. Political factors The political changes in the UK really do impact negatively on the software industry, although of late, there has been a concerted effort to enact legislation to curb software piracy which has been termed as one of the greatest threats to the industry. Currently the anti-piracy law of UK prohibits and sets forth legal measures against perpetrators of the crime and it is anti cipated that this will stamp out the vice that is so rife in the UK. From a global perspective, different political scenarios in different countries where the software industry market their products also impacts on the performance of the industry, for instance, the software industry is affected negatively when other countries which have been traditionally markets for UK software companies change to competitors for instance China and India. This is usually occasioned by regime change in those countries. Gender equality has also had a significant influence of the industry I that, they have been forced to change their labor policies to reflect equal opportunities accorded to all genders. Economic Factors. Although there is a clear-cut difference between political factors and economic factors some happenings in political arenas have had an impact on the economic factors for instance legislation touching on taxation for software products. Currently the economic state in the UK is friendly and no signals point to the contrary. Relatively stable exchange rates, as well as low inflation levels, a steady income growth in the domestic market, have all contributed positively the growth of the sector in the UK and is projected to continue that way into the future. Social Factors. As these determine the buying behavior for customers, the UK market can be said to be mature in that, sales and demand for software products is on the increase, a trend that has continued for the past three years. The fact that, most software products are not viewed as hazardous and there fore are looked at as harmless has contributed to a positive growth of the software market in the UK. This can be evidenced by the fact that, people from all walks of life can purchase different software custom made. There have been few cases of major complaints form the society in terms of their usability and effectiveness of what is on offer in the market. This further strengthens the future position of the sector as far as viability and profitability are concerned. Technological Factors. Advances in this area especially as occasioned by computers, the internet, as well as well as cell phones, has had an impact on software industry in that, production has become cheaper than it would have been in the absence of the above. In the UK, majority of the software companies have invested heavily on technology and this has been reflected in surging profits. In conclusion, from the above analysis it is clear that, the future for software industry in the UK I bright and those businesses which shall capitalize themselves by taking a strategic position are more likely to thrive.

American Beauty

There are numerous significant motives in the1999 film entitled American Beauty, directed by Sam Mendes. In this film, Lester Burnham– a 42-year-old, depressed suburban father has a mid-life crisis and voluntarily decides to turn his chaotic life around after developing a fascination for his daughters attractive friend, Angela. Similarly, The title American Beauty is proven to be significant with the satirical lust between Lester and Angela , Lester realizing the beauty throughout his life sincerely, and the American beauty rose used as a symbol. This representation allows the director to ultimately suggest that everyone will see the beauty in America and their lives. In the movie American Beauty, the lust portrayed is shown very satirically and creates a deep affect on the characters throughout the film. For example, lust is illustrated when Lester notices Angela for the first time and feels instantly compelled to her. Which gives the allusion of beauty but ultimately is very disturbing because of Angela’s age. Although, Lester suddenly feels the need to know Angela. Subsequently, after meeting her he says, â€Å" It’s the weirdest thing I feel like I’ve been in a comma for about 20 years and I’m just now waking up† (American Beauty). In stating this, Lester explains how he felt like he was living every day like the last and not really living at all until he met Angela. To elaborate, Lester states, â€Å"The highlight of my day is masturbating in the shower† (American Beauty). By using the word â€Å"highlight† sows that it’s the most arousing part of his day which he combines with masturbating. Although, after he meets Angela he feels as though he was â€Å"waking up† for the first time (American Beauty). This feeling leads him to start working out, smoking weed, and working at his old teenage job in order to get Angela interested in him. Therefore, the lust shown between Lester and Angela depicts the title American Beauty because of the want or need to feel wanted and loved by someone. Lastly, Lester realizing the beauty in his life helps prove the implication of the title. With Lester feeling as if his life is pathetic and boring in the beginning of the film, to the end where he feels as though he is â€Å"great. † For example, Lester states, â€Å" I am grateful for every moment in my stupid life â€Å" (American Beauty). Meaning that Lester knew most times his life was â€Å"stupid,† although he still saw the beauty in everything. Lester sincerely finds the beauty in his life right before he is murdered and continues to after he dies. He says, â€Å"I guess I could be pissed about what happened to me, but there is so much beauty in the world† (American Beauty). Implying that he felt as though he could be mad that his life was taken from him, but he finally witnessed his daughter being happy and in love and realized that he truly still loved his wife. Therefore, he has no choice but to be thankful for the life he had been given. This strongly depicts the American beauty by allowing Lester to sincerely see beauty in his dysfunctional life. The rose called American beauty is introduced various times as a symbol throughout the film. The rose is presented satirically for the first time when Carolyn is trimming her American beauty rose bushes in the front yard. Everything seems to be perfect with the white picket fence and the suburban house-wife outside doing yard work. Although, like the rose, everything is beautiful at first glace, but when you look deeper you see the thorns and the dysfunction within the family. In addition, the American beauty rose is also introduced countless times while Lester is fantasizing about Angela. For example, the moment Lester spots Angela for the first time he imagines her undressing for him while being the only ones in an auditorium. She opens her shirt and vibrant rose pedals come flowing from her chest (American Beauty). This represents the beauty that he not only sees in her; though, also the beauty that she brings to his life. Which is portrayed to be very satirical because of his fanaticizing about Angela who is a young girl. Hence, the significance of the title American Beauty and the representation that is shown through the American beauty rose. Although, some may say that the American beauty rose is portrayed sincerely in the film. They might argue that at the end of the film, when Lester has just seen the beauty throughout his life, there is a vibrant bouquet of American beauty roses on the table in front of him. Showing the sincere feelings of beauty that Lester is realizing for the first time while looking at his family portrait. People can also argue that in the next scene where Lester has been killed the roses are suddenly blackened and dead. Also, the vivid red blood splattered around the flowers helps portray the lack of color and beauty in the roses it self. This sincerely shows the ugliness of deaths and the arrival of death when Lester had just recognized the beauty in his life. Therefore one may argue the American beauty rose is portrayed as sincere as well as satirical. Subsequently, this shows the representation of American Beauty allows the director to ultimately suggest that everyone will see the beauty in America and their lives. While every character in the film was dysfunctional they all came to a realization of the beauty in their lives at the end of the movie. Although each character didn’t have to loose their life to see the beauty, the murder of Lester allowed the beauty to be revealed and also enables the characters to have a somewhat epiphany. In conclusion, Janet Maslin, a film critic from the New York Times states, â€Å"if you don’t feel the film’s piercing vision of what really matters, someday you will† ( 293). Therefore restating that everyone will see the beauty in the dysfunction of America someday before or after they die. American Beauty There are numerous significant motives in the1999 film entitled American Beauty, directed by Sam Mendes. In this film, Lester Burnham– a 42-year-old, depressed suburban father has a mid-life crisis and voluntarily decides to turn his chaotic life around after developing a fascination for his daughters attractive friend, Angela. Similarly, The title American Beauty is proven to be significant with the satirical lust between Lester and Angela , Lester realizing the beauty throughout his life sincerely, and the American beauty rose used as a symbol. This representation allows the director to ultimately suggest that everyone will see the beauty in America and their lives. In the movie American Beauty, the lust portrayed is shown very satirically and creates a deep affect on the characters throughout the film. For example, lust is illustrated when Lester notices Angela for the first time and feels instantly compelled to her. Which gives the allusion of beauty but ultimately is very disturbing because of Angela’s age. Although, Lester suddenly feels the need to know Angela. Subsequently, after meeting her he says, â€Å" It’s the weirdest thing I feel like I’ve been in a comma for about 20 years and I’m just now waking up† (American Beauty). In stating this, Lester explains how he felt like he was living every day like the last and not really living at all until he met Angela. To elaborate, Lester states, â€Å"The highlight of my day is masturbating in the shower† (American Beauty). By using the word â€Å"highlight† sows that it’s the most arousing part of his day which he combines with masturbating. Although, after he meets Angela he feels as though he was â€Å"waking up† for the first time (American Beauty). This feeling leads him to start working out, smoking weed, and working at his old teenage job in order to get Angela interested in him. Therefore, the lust shown between Lester and Angela depicts the title American Beauty because of the want or need to feel wanted and loved by someone. Lastly, Lester realizing the beauty in his life helps prove the implication of the title. With Lester feeling as if his life is pathetic and boring in the beginning of the film, to the end where he feels as though he is â€Å"great. † For example, Lester states, â€Å" I am grateful for every moment in my stupid life â€Å" (American Beauty). Meaning that Lester knew most times his life was â€Å"stupid,† although he still saw the beauty in everything. Lester sincerely finds the beauty in his life right before he is murdered and continues to after he dies. He says, â€Å"I guess I could be pissed about what happened to me, but there is so much beauty in the world† (American Beauty). Implying that he felt as though he could be mad that his life was taken from him, but he finally witnessed his daughter being happy and in love and realized that he truly still loved his wife. Therefore, he has no choice but to be thankful for the life he had been given. This strongly depicts the American beauty by allowing Lester to sincerely see beauty in his dysfunctional life. The rose called American beauty is introduced various times as a symbol throughout the film. The rose is presented satirically for the first time when Carolyn is trimming her American beauty rose bushes in the front yard. Everything seems to be perfect with the white picket fence and the suburban house-wife outside doing yard work. Although, like the rose, everything is beautiful at first glace, but when you look deeper you see the thorns and the dysfunction within the family. In addition, the American beauty rose is also introduced countless times while Lester is fantasizing about Angela. For example, the moment Lester spots Angela for the first time he imagines her undressing for him while being the only ones in an auditorium. She opens her shirt and vibrant rose pedals come flowing from her chest (American Beauty). This represents the beauty that he not only sees in her; though, also the beauty that she brings to his life. Which is portrayed to be very satirical because of his fanaticizing about Angela who is a young girl. Hence, the significance of the title American Beauty and the representation that is shown through the American beauty rose. Although, some may say that the American beauty rose is portrayed sincerely in the film. They might argue that at the end of the film, when Lester has just seen the beauty throughout his life, there is a vibrant bouquet of American beauty roses on the table in front of him. Showing the sincere feelings of beauty that Lester is realizing for the first time while looking at his family portrait. People can also argue that in the next scene where Lester has been killed the roses are suddenly blackened and dead. Also, the vivid red blood splattered around the flowers helps portray the lack of color and beauty in the roses it self. This sincerely shows the ugliness of deaths and the arrival of death when Lester had just recognized the beauty in his life. Therefore one may argue the American beauty rose is portrayed as sincere as well as satirical. Subsequently, this shows the representation of American Beauty allows the director to ultimately suggest that everyone will see the beauty in America and their lives. While every character in the film was dysfunctional they all came to a realization of the beauty in their lives at the end of the movie. Although each character didn’t have to loose their life to see the beauty, the murder of Lester allowed the beauty to be revealed and also enables the characters to have a somewhat epiphany. In conclusion, Janet Maslin, a film critic from the New York Times states, â€Å"if you don’t feel the film’s piercing vision of what really matters, someday you will† ( 293). Therefore restating that everyone will see the beauty in the dysfunction of America someday before or after they die.

Letter of Justification

My father lost his Job and went without a Job for several months. This predicament became highly Inconvenient putting more responsibilities on me while helping my parents pay for bills should add how hall moved a lot, this sentence Is short and needs to be added on to. Talk about what kind of distress this caused you and your family. Try to refrain from using words like â€Å"l†, â€Å"my† or â€Å"me† just to make it sound more of a formal essay) We had to move into a home more affable for my family.We eventually became reliable on one vehicle due to a car accident my dad was involved in and my vehicle became to expense to fix due to mechanical issues **(This sentence is a run-on and I think it would be broken up into two sentences) . My last semester fall of 2012 at San Antonio College was the hardest because that is when my family was most reliant of me. At the time, I was enrolled in 14 hours and working a full time job. With the additional responsibilities o f providing for a family of five, it became a challenge to focus my attention on school.Eventually I decided the fall of 2012 was going to be my last semester of school at San Antonio College due to my family needing help financially. I enlisted in the United States Army and went Basic Combat Training (BCC) t Fort Jackson in South Carolina from January 7, 2013 and graduated March 21, 201 3 added commas after the days. ). Then I went to Advance Individual Training (TIT) for a Human Resources Specialist position which was also in Fort Jackson from March 20, 201 3 and graduated May 21, 2013**(Number dates always go after the month). *(Could re-write sentence like this-During my time at TIT, I was awarded a Certificate of Achievement for obtaining a high score on the Army Physical Fitness Test. -Then you could go on to talk about what kind this achievement proves about your endurance and how you're driven) I was also awarded a Certificate of Achievement for scoring high on the Army Phys ical Fineness Test during my time at TIT. After completion of TIT, I was stationed at Fort Bliss In El Paso Texas to 31st Combat Support Hospital.I was there for 7 months In which I earned a promotion from POP to Private First Class and was awarded a Certificate of Achievement during Iron Focus, which was were training excises and preparing for my Units future deployment to sentence). I was deployed to Afghanistan January 7 2014. My duty and tasks were greater than my rank, which I slotted In a higher ranks position I as responsible for accountability and movement for Task Force 31 Medical and the 15 units, that fall under the Task Force of 174 personnel which increased to 455 confusing). **(never use words like â€Å"I'm†, â€Å"weren't†, â€Å"couldn't† etc. Always type them out like â€Å"l am†, â€Å"were not†, â€Å"could not†) I am responsible for out-processing personnel, which get military personnel out Afghanistan with all the prope r documentation **(Find a synonym for â€Å"personnel† try not to use the same word twice in a sentence†). My senior leader recently recommended me for a Battlefield Promotion to next rank of Specialist. My Unit was supposed to redeploy back to the States in October but we were recently extended to December and I felt it would be a great time to go back to school to keep myself occupied the remaining time of my deployment. *(run on sentence. Also, give another reason why you want to go back to school such as â€Å"l felt this timing would be perfect to finish my bachelors degree and work my way to my goal of becoming a pilot. † Something along the lines of that, they want to see that you want to finish school in order to move up in life rather than it being something to Just occupy your time. Since being in the Army, I have learned a lot and my training has better taught me about discipline, responsibilities, and leadership.Going back to school is only the first step in advancing my career, I am hoping with my admission to Embryo-Riddle Aeronautical University I will earn my degree which will better help me excel in the Military Flight Aptitude Test to become a Warrant Officer in the Army to become a wing oratory aviator. **(run-on sentence. Also add more to this section because being that it's only 2 sentences, it's technically not a paragraph. But you could do this by separating your run-on sentences. )

Economics Paper Essay

Gross Domestic Product (GDP) is the total number of goods and services produced in an economy in a given year. Measured in monetary terms, it reflects the general output of an economy per given period of time. The so-called â€Å"price basket index† (the average price levels for all goods and services in an economy) is the standard maeasure of GDP (the base year is arbitrary). GDP, however, is a standard measure itself. It is used to measure business cycles. Business cycles are generally fluctuations of aggregate production schedules per given period of time (usually monthly). Several theorists attempted to formalize the theory behind business cycles to no avail. Explanatory variables offered by these theorists were either insignificant or in contradiction with accepted economic principles. In any case, the ratio of GDP to the potential GDP can serve as an indirect measurement of the level of production fluctuation in the economy. If the ratio is close to 1, then the level of business cycle in an economy is also minimal. If the variance is large, then the economy experiences high levels of production fluctuations. In order to remove these fluctuations, actual GDP must equal potential GDP. If an economy achieves potential GDP, then it is Pareto Efficient. Hence, the amount of fluctuations (which characterized inefficiency) is close to zero. The determination of fiscal policies is solely the function of the government. Fiscal policies refer to expenditures a government undertakes to provide goods and services and to the way in which the government finances these expenditures (like taxes and subsidies). In the United States, some of the agencies concerned with setting fiscal policies are as follows: agencies of the federal government like the Defense Department, Trade Department, and the Bureau of Internal Revenue, and agencies of state governments. Generally, fiscal policies can be undertaken by all levels of government. The general functions of these bodies are as follows: 1) Provide goods and services that the market will usually not provide; 2) Provide economic infrastracture that will facilitate the flow of goods and services in an economcy; 3) Increase government spending during times of uncertainty, economic crisis, and recessions; 4) Provide businesses and investors an elaborate system of information in order to reduce transaction costs; 5) And, create incentives schemes in order to encourage increased production (or create an optimal tax system where firms that produce negative externalities would be heavily taxed to reach the social optima). Fiscal policies encourage increased production in two ways. By providing incentive schemes or subsidies to particular industries, the government can expect a long-term increase in the economy’s output. Increasing government expenditure is seen by investors and firms as a sign of expected economic growth (psychological). By increasing government expenditure, the national income increases by a certain amount depending on the government multiplier (note that Y = C + I + G + NX). An increase in G reflects an increase in Y. This induces other participants in an economy to spend more (therefore save less). Increased government spending also has bearing on employment, inflation, and general wage levels. Sustained government spending results to sustained inflation. Employment is ambiguously affected (this depends on the capacity of the economy to create jobs). Wage levels decreases in the long-run because of lower aggregate demand for labor. In many cases, fiscal policies are matched with monetary policies in order to achieve a desirable economic state. However, the use of monetary policies is more complicated. Hence, a separate analysis must be reserved for this topic.

Effective risk management in software development project using Dissertation

Effective risk management in software development project using different methodologies - Dissertation Example It was believed that this approach will help to elucidate some of the main practices of risk assessment within the software would industry in the United Kingdom The specific objectives of this research were as follows: 1. To determine what approaches to risk management were most common among respondents 2. To identify differences or similarities between the perspectives of participants and those in the literature 3. To examine how effective risk mitigation was for participants The mixed methods approach involved the use of one quantitative and one qualitative technique. The qualitative technique that was determined was an open-ended, one-on-one interview which was carried out with participants from a range of different software companies. In addition to the qualitative component of this study a small, quantitative questionnaire was also developed and distributed to people within the organisations of the qualitative participants. This questionnaire contained shorter versions of some o f the questions covered in the qualitative interview. The purpose of this was to access a wider pool of participants than would be possible for the qualitative interview. ... Additionally, if probability sampling methods are used, the outcomes from a quantitative study can often be extended to a large population, while a qualitative study does not have the same level of applicability. Thus, a quantitative study might be able to determine that group A was statistically more likely to use the waterfall risk management approach, while a qualitative approach would be able to provide an indication about what people thought about risk management approaches, and why a particular one was preferable. 3.1.1 Qualitative Interviews Qualitative research is a form of research that considers the perspectives and opinions of participants, often through approaches such as interviews or focus groups. A substantial amount of information can be gathered through qualitative research, however, it also tends to be more time consuming. Because of this, qualitative approaches are often used for studies where the opinions of participants is of particular importance, or the area of the study is small (Leedy and Ormrod, 2004). It makes use of non-probability methods of sampling, which means that it is difficult to extrapolate the results of a study to a wider population (Sarantakos, 2005). Interviews are an approach to qualitative research that allows for a lot of information to be gathered from participants (Trochim and Donnelly, 2007) . Interviews frequently make use of a mixture of questions that are closed and open-ended (Gillham, 2005). This approach is effective, because it allows the interviewer to guide the progress of the interview, and ensure that the desired questions are answered, while at the same time

Something about fairy tales Essay Example | Topics and Well Written Essays - 1750 words - 1

Something about fairy tales - Essay Example This works against the argument that many of the medical advances that have been made have been accomplished through ‘designer’ practices in response to top-dollar demands. At the same time, Postrel argues against the ‘anti-nature’ claim by citing several examples in which modern medicine has changed the ‘natural’ condition of decay and death, even allergic response, without anyone calling foul. Basically, I agree with Postrel that cloning science is not an attack on nature and is not intended to produce designer babies or yuppy science. I also agree that the majority of people who benefit from these technologies seems to be the middle class, maybe because there are more middle class families and thus more demand or maybe because rich people taking advantage of these advances prefer to keep their stories quiet. The technologies would not be developed, though, unless there was someone interested in benefiting from the results, especially in our overly capitalistic society. However, I do understand the point of view of the other side in being worried that this technology might be carried too far. As it can be seen in almost every other facet of life, moderation can provide tremendous benefits, but excess can lead to disaster. For this paper, I plan to explore the archetypes present within the fairy tale story of â€Å"Snow White.† Preliminary research has indicated that while archetypes are readily identified within the story even by very young children, there remain several interpretations regarding what these archetypes are. For example, Stephen Flynn (2005) interprets the story in terms of its female archetypes while Virginia Walker and Mary Lunz (1976) reveal numerous archetypes recognized by young children when the story is aurally communicated. My primary question in conducting this research is to determine if there is a consensus opinion regarding the identification of archetypes within the story and

How B.G. Tilak thought taking action was the only way to create and Research Paper

How B.G. Tilak thought taking action was the only way to create and Independent India - Research Paper Example He later graduated with a bachelor’s in mathematics and Sanskrit. Tilik completed his studies with a degree in law in 1879. After graduating from school, Tilak emerged as a great political leader, writer, philosopher and a Sanskrit scholar. The philosophical views of Tilak were highly influenced by the western metaphysics and political views. This is attributed greatly to the extent the English education affected him. Tilak rose as one of the young scholars advocating for the freedom of India. The colonial government accused Tilak of inciting the Indians to political violence in his fight for an Independent India. This results from the fact that Tilak was an extremist and employed extreme mechanism when fighting for independence in India. The British rule accused Tilak of instigating the Indian community to violence and was highly criticized his activities that were mainly characterized by extreme violence and were mainly based on the teachings of Hinduism. Tilak considered extremist activities as the only solution to the rise in foreigners group, in the country. Majority of the historians classify Talik as the most extremist political leader in the colonial India. He was a considerable extremist’s leader who utilized his role in acquiring independence in India. Talik mainly sought the assistance of Chandra Pal, Lala Lajpat Rai and Aurobindo Ghose from the national congress, which enhanced his struggle for independent India. Despite his extremist tactics of acquiring an independent India, Tilak was highly respected and applauded by locals and foreign intellectuals but his extremism was an intimidation to the government. Tilak used his writing talent to promote extremism as well as opposing colonial rule in India. He specifically made use of Kesari and Mahratta, which were started in 1881. The newspapers columns unveil Tilak’s radical and strong personality. They further unfold political militant views. Tilak was